With its vibrant oversized photographs and minimalist design, the Boston Globe's The Big Picture weblog launched on June 1 to instant global acclaim. It's designed, programmed, and written by Alan Taylor, an old-school web programmer and blogger, in his spare time while working on community features at Boston.com. (You might know Alan from his popular MegaPenny Project, Amazon Light, or his other projects.)

The idea's simple, but extremely effective. Spend a few minutes with the Iowa floods, the faces of Sudan, or the daily life in Sadr City, and you feel like you've opened a window to another world.

I interviewed Alan about the inspiration for the site, his methodology, and what it's like being a programmer in a journalist's world.

The Big Picture's become an essential read for me, and I totally agree with Jason Kottke when he called it "the best new blog of the year." What inspired it?

Alan Taylor: Lots of things — my parents used to always have Life and National Geographic magazines around the house, I fell in love with the visual storytelling way back then. When I was getting my feet wet in the online journalism world as a developer at msnbc.com, I had the good fortune of working alongside Brian Storm and a few others in MSNBC's photo department, who were just phenomenal as far as selection, editing and presentation.

I wondered why other sites didn't reach that level. Many have by now, but I was still frustrated by the presentation — either far too small, or trapped in click-after-click interfaces that were in Flash or just acted as ad farms.

Independent filmmakers followed the Mozilla team from March 1998 to April 1999, as they worked to open Netscape Communicator's source code to the world, in a last-ditch effort to save the company. The result is an amazing snapshot of computer history, capturing the people that worked on it, the first internal beta test, the moment Jamie Zawinski uploaded the first builds publicly, the launch party, the all-hands meeting announcing the AOL acquisition, and so much more. It aired on PBS nationally in March 2000, the same month as the beginning of the dot-com collapse.

Out-of-print and never released on DVD, the used VHS copies start at $50 on Amazon. Like all the videos I release on Waxy.org, this material is commercially unavailable. If they ever come back into print, or the copyright holders contact me, I'll take them down immediately.

Watch it below, or download the torrent (H.264 MP4, 455MB).

I've done my best to annotate the video, but many people in the film aren't identified. I've left Viddler annotations open to everyone, so if you want to identify the people, places, or notable objects/events/trivia in the film, then please add your inline comments the video! (Or IM/email me and I'll take care of it.)

Now go download Firefox 3.0 and help make history!

Interviews and Appearances

• Jamie Zawinski: Left Netscape on April 1, 1999, now the owner of DNA Lounge in San Francisco
• Jim Barksdale, CEO
• Michael Toy
• Jim Roskind
• Tara Hernandez: Now an infrastructure engineer at Pixar
• Scott Collins: Now works on the Slashdot engineering team
• Jeff Weinstein
• Marc Andreessen
• Stuart Parmenter (and his parents)
• Brendan Eich: CTO at Mozilla
• David Readerman, Tech Analyst
• Po Bronson, Wired Magazine
• Kara Swisher, Wall Street Journal
• Gregg Zachary, Wall Street Journal
• Ellen Ullman, Author of Close to the Machine

And, as promised, here's the BitTorrent file for high-resolution copies of all five videos. It's a 3.1GB download with five H.264 encoded MP4 files. (If you only want a single video, use your BitTorrent client to select only the videos you need.) Enjoy!

(Previously: Part 1, Part 2, Part 3, Part 4.)

Interviews:
Robert Lucky (AT&T Bell Labs), Dave Hughes, Kathleen Bonner (Trader, Fidelity), George Hayter (Former Head of Trading, London Stock Exchange), Ben Bagdikian (UC Berkeley), Arthur Miller (Harvard Law School), Forman Brown (songwriter, died in 1996), Tan Chin Nam (Chairman, National Computer Board of Singapore), B.G. Lee (Minister of Trade and Industry, Singapore), Lee Fook Wah, (Assistant Traffic Manager, MRT Singapore), David Assouline (French Activist, now a senator), Mitch Kapor (founder, Lotus), Michael Drennan (Air traffic controller, Dallas-Fort Worth)

It's a whirlwind tour of computing before the Web, with brilliant archival footage and interviews with key players — several of whom passed away since the filming. Jointly produced by WGBH Boston and the BBC, it originally aired in the UK as The Dream Machine before its U.S. premiere in January 1992. Its broadcast was accompanied by a book co-written by the documentary's producer Jon Palfreman.

With the help of Simon Willison, Jesse Legg, and (unofficially) the Portland State University library, we've tracked down and digitized all five parts. This week, I'm uploading them, annotating them with Viddler, and posting them here as streaming Flash video as they're finished. Also, the complete set will be available as high-quality MP4 downloads via BitTorrent by Friday.

Here's the first of the five-part series, The Machine That Changed the World. Enjoy!

Thanks again to Martin Brewer, who also contributed the Horizon show, here are two more episodes from the first season of The Net from 1994.

As part of that research, I've been digging into my original server logs from the Star Wars Kid debacle, five years after I played a major role in what some say is the biggest viral video of all-time.

Be warned, this is more detail than you'll ever want about the origins of the Star Wars Kid meme and how it spread. You don't care about this level of detail, but I'm writing this all down so that I never have to think about it again.

In addition, I've decided to release the first six months of server logs from the meme's spread into the public domain — with dates, times, IP addresses, user agents, and referer information. (Download it below.)

Early Origins

Like I mentioned in my original entry, the video was first released by Ghyslain's schoolmates to Kazaa on April 19, 2003 with the original filename "ghyslain_razaa.wmv." Within three days, it was being passed around in the offices of Raven Software in Madison, Wisconsin, where a game developer named Bryan Dube posted it on his personal website on April 22. Two days later, he created the first Star Wars Kid remix, adding lightsabers and sound effects in a new video titled "TheLastHope.avi."

On April 27, a mostly-NSFW online community called Sensible Erection linked to the video on Bryan's website. Later that evening, an SE user cross-posted it to a private file-sharing community I belong to with the new filename "star_wars_guy.wmv." It quickly became the most popular file on the site, which is where I found it the following day, April 28 at 7:52pm.

On April 29, I renamed it Star_Wars_Kid.wmv and posted it to my site at 4:49pm &mdash inadvertently giving the meme its permanent name. (Yes, I coined the term "Star Wars Kid." It's strange to think it would've been "Star Wars Guy" if I was any lazier.) An hour later, Scott Gowell becomes the first person to link to the video.

From there, for the first week, it spread quickly through news site, blogs and message boards, mostly oriented around technology, gaming, and movies. Throughout the life of the meme, most of the referers are blank, suggesting people were primarily sending the links by email or instant message.

The chart below shows the distinct top-level domains that appeared in the referral logs grouped by day.

It's worth noting that the majority of sites sent less than 10 referers in that first month, and 21% of domains referred only one user. (Note: The chart below is on a logarithmic scale for both axes.)

Mainstream News Coverage

Here's some of the highlights from the mainstream media coverage. The New York Times was the first major paper to report on it, almost a week after I tracked Ghyslain down, Jish and I interviewed him for the first time, and we started the fundraiser.

May 19, New York Times
May 19, Wired News
May 20, Public Radio International's "The World" (radio program)
May 20, Globe and Mail
May 20, National Post
May 23, The Mirror UK

Jun 6, LA Times

Jul 4, The Independent UK
Jul 12, The Age
Jul 23, Wired News
Jul 25, BBC News
Jul 31, NPR w/Tavis Smiley (radio interview)

Aug 21, USA Today, syndicated Associated Press article
Aug 25, NBC's Today Show (TV program)
Aug 26, MSNBC's Countdown (TV program)
Aug 28, USA Today
Aug 30, Seattle P-I

Sep 8, SF Chronicle
Sep 15, Variety
Sep 16, Globe and Mail

Nov 18, CBS Evening News

Statistics

Here's what the Star Wars Kid meme did to my overall traffic. At its peak, I received almost a million pageviews in a single day.

That includes all pageviews on my weblog entries. Isolating only the video downloads from my site, or later redirected to one of the mirrors, gives the following chart.

Download the Data

This file is a subset of the Apache server logs from April 10 to November 26, 2003. It contains every request for my homepage, the original video, the remix video, the mirror redirector script, the donations spreadsheet, and the seven blog entries I made related to Star Wars Kid. I included a couple weeks of activity before I posted the videos so you can determine the baseline traffic I normally received to my homepage.

The file is 158 megabytes &mdash 1.6GB uncompressed — so I'm distributing it with BitTorrent. The data is public domain. If you use it for anything, please drop me a note!

Download: star_wars_kid_logs.zip.torrent

Kasparov is a leader of the Other Russia movement, a loose coalition of activists opposing Vladamir Putin and the current Russian government. Over 700 people showed up for the event in central Moscow, but Kasparov's speech was interrupted when a large phallus-shaped helicopter started buzzing around the room. The Moscow Times attributed the prank to "a couple of pro-Kremlin Young Russia activists."

Warning: Mildly NSFW images and video follow.

Longevity of a Pop Song

One of the trickier questions I've been trying to visualize is how long pop songs are staying on the charts relative to the past. Are they staying on the charts longer than in the past?

In the chart below, I plotted the total number of weeks charted for all 23,924 songs that appeared on the Billboard Hot 100 from 1957 to earlier this year. (In other words, a little dot on the "60" line means there was a song released that week that stayed on the Hot 100 chart for 60 weeks.)

See the heavy dropoff on the 20th week starting in 1991? In an attempt to increase diversity and promote newer artists and songs, Billboard changed their methodology, removing tracks that had been on the Hot 100 for twenty consecutive weeks and slipped below the 50th position. These songs, called "recurrents," were then moved to their own chart in 1991, the Hot 100 Recurrent.

Unfortunately, this shift makes it much harder to compare the last 15 years to the decades before it. In the chart below, I've isolated the effect by only showing songs that reached the top 50.

A couple interesting observations... Looking at the very bottom of the chart, you can see that in the last couple years, it's become very common for a single to appear in the Top 50 and fall out of the Hot 100 within four weeks. Prior to the mid-1990s, this almost never happened.

Also, songs are staying in the Top 50 for far longer than they used to. Unfortunately, I don't have any actual sales numbers to compare to, so it's hard to say if these 30-70 week singles are massive megahits eclipsing the #1 singles of the past, or if it's because the record industry is producing fewer hits than before.

Diversity

Did Billboard's methodology changes in 1991 make the charts more diverse, like they hoped? By looking at the total number of unique songs that have charted yearly, it's clear their changes did nothing to slow the decline.

According to Billboard, the late 1960s were the peak of musical diversity in popular music, with 743 different songs appearing on the 1966 Billboard Top 100. It's fallen consistently since, hitting an all-time low in 2002 with only 295 songs. Since then, it's improved only slightly, with 351 unique songs appearing on last year's Top 100.

One Hit Wonders

I've always thought the 1970s were the decade of the one-hit wonder, but now I have the data to see for sure.

In raw numbers, the 1960s had more one-hit wonders than any other decade, followed closely by the 1950s. But that's not entirely fair since, as we saw earlier, there were simply more unique songs on the 1960s charts. To find out the true numbers, we need to look at the number of one-hit wonders as a percentage of all songs in the Top 100.

This tells a totally different story. The 1960s, 1970s, and 1980s all had about the same ratio of one-hit wonders to hits by more established artists. The big surprise for me is that 1950s, 1990s, and 2000s really seem to be the eras where one-hit wonders dominated the charts.

Joshua Porter was wondering about the longest-charting one-hit wonders of all time. The longest-charting one-hit wonder to hit the #1 spot is Daniel Powter's "Bad Day" from 2006, which stayed on the charts for 32 weeks. The one-hit wonder that stayed at the #1 longest is Anton Karas' "The Third Man Theme" from 1950, which stayed in the #1 position for 11 weeks. Finally, the longest-charting one-hit wonder to appear anywhere in the Top 100 is Duncan Sheik's "Barely Breathing" from 1997, which peaked at #16 but stayed in the top 100 for 55 weeks.

Have any other questions about the data, or done any analysis yourself? I'd love to hear about it.

May 20: Don't miss Mike Frumin's chart of pop longevity,from 1998-2002.

May 21: Using the Whitburn data, Tom Whitwell generated a tag cloud showing the top 100 commonly-used words in song names. Dianne Warren should write a #1 hit called "Love my Baby Blue Heart: A Girl's Night Song."

July 14: Pedro did some additional analysis, including artists with multiple hits in the same week and one-week wonders.

For the last ten years, obsessive record collectors in Usenet have been working on the Whitburn Project — a huge undertaking to preserve and share high-quality recordings of every popular song since the 1890s. To assist their efforts, they've created a spreadsheet of 37,000 songs and 112 columns of raw data, including each song's duration, beats-per-minute, songwriters, label, and week-by-week chart position. It's 25 megs of OCD, and it's awesome.

As far as I know, this is the first time the project and its data have ever been discussed outside of Usenet. Despite its illegality, they've created a wonderful resource and you can do some fun things with the data. For the next three days, I'm going to publish some analysis and insights gleaned from their work. Update: I published an entry about one-hit wonders and pop longevity.

The broad theme of the episode is the information economy, and it's a whirlwind tour of influential people and tech in the pre-Web 1990s. They focus heavily on Microsoft, Apple, and General Magic, with interviews from key players from each. (Plus, great footage of their headquarters and workspaces.) There's plenty of footage of vintage '90s tech in here, including giant cell phones, Windows NT 3.1, the Newton, General Magic's Magic Cap, Corbis, Encarta on CD-ROM, interactive TV and software agents. Some of the highlights, with screenshots, after the video below.

Note: Like all the other materials I post here, this video is completely out-of-print and unavailable commercially, digitized from an old VHS tape. If it ever comes back into print, or the copyright holders contact me, I'll take it down immediately.

The first is ZombieURL, a TinyURL-clone with a twist.

Put in a URL, send it to a friend, and enjoy. Keep a camera nearby to capture the fun. (Here's a Zombie-fied version of Waxy, for example.)

(Warning: We're not responsible for emotional scarring, concussions, or heart failure as a result of using ZombieURL.)

For obvious reasons, I can't share the whole Infocom Drive. But I have to share some of the best parts. It's just too good.

So let's start with the most notorious — Milliways: The Restaurant at the End of the Universe, the unreleased sequel to Infocom's The Hitchhiker's Guide to the Galaxy. For the first time, here's the full story: with never-before-seen design documents, internal emails, and two playable prototypes. Sit back, this might take a while.

Note: I've pieced together this history from emails and notes from the Infocom Drive. I haven't contacted any of the people mentioned, so if you're a primary source or authority, please get in touch so I can make corrections.

Update: Don't miss the comments section. Infocom alumni Dave Lebling, Steve Meretzky, Amy Briggs, and Tim Anderson all comment on the story, Zork co-author Marc Blank helps correct an error, and writer Michael Bywater provides an alternative view of the events.

April 24: Michael Bywater just announced in the comments that he's going to fleshing out his story of Restaurant's development as an article for Wired!

AppDrop is a container for applications developed with the Google App Engine SDK, running entirely on Amazon's EC2 infrastructure. Just like Google's Appspot, anyone can use a modified SDK to deploy their App Engine apps directly to Amazon EC2 instead of Google, and they work without modification.

This proof-of-concept was built in only four days and can be deployed in virtually any Linux/Unix hosting environment, showing that moving applications off Google's servers isn't as hard as everyone thought.

How does it work? Behind the scenes, AppDrop is simply a remote installation of the App Engine SDK, with the user authentication and identification modified to use a local silo instead of Google Accounts. As a result, any application that works with the App Engine SDK should work flawlessly on AppDrop. For example, here's Anderson's Fug This application running on Google App Engine and the identical code running on EC2 at AppDrop.

Of course, this simple portability comes at the cost of scalability. The App Engine SDK doesn't use BigTable for its datastore, instead relying on a simple flat file on a single server. This means issues with performance and no scalabity to speak of, but for apps with limited resource needs, something as simple as AppDrop would work fine.

I spoke to Chris this morning about his project and where he wants it to go. "AppDrop is open-source just like the Google SDK, so I'm hoping someone will come along and take it to the next level," he said. "It wouldn't be hard for a competent hacker to add real database support. It wouldn't be that hard to write a Python adapter to MySQL that would preserve the BigTable API. And while that wouldn't be quite as scalable as BigTable, we've all seen that MySQL can take you pretty far. On top of that, you could add multiple application machines connecting to the central database, and load-balancing, and all that rigamarole."

While this is only a hack, it demonstrates that App Engine developers don't need to live in fear of Google's reprisal. "The upshot is that if you put a lot of time into an App Engine app, and then run afoul of Google, you have alternatives, even if they are more work."

Update: Chris announced the project on his own blog, with some design notes.

April 20, 2008: Addressing concerns with data lock-in, Google announced that large-scale data import and export for will be coming soon to App Engine.

For lack of a better name, let's call them supercuts. (Thanks, Ryan.)

Here are some examples I could find, but I'm sure there must be more. Post 'em in the comments and I'll add them. Bonus points for supercuts with the most clips, the shortest clips, and in additional genres (sports? politics?).

Film

Glengarry Glen Ross - Obscenity Count
Ship, Computer, and Sauce in the first six Star Trek films
Shia LaBeouf in "No No No No"
Requiem for a Dream, montage of every drug montage (meta!)
Big Lebowski, every "fuck"
Casino, every "fuck"
Big Lebowski, Every "dude"
True Romance, every kill from the finale
True Romance, every "fuck"
Rushmore, handjob references (thx, Matt)
Scarface, every "fuck" (thx, oscar)
The Departed, every "fuck" (thx, oscar)
Jay and Silent Bob Strike Back, every "fuck" (thx, MeatFarley)
All the pauses and silence in His Girl Friday from 1940 (thx, progosk)
The Incredibles, buttons, doors, and explosions (thx, Joshua)
Fargo, every "yeah" (thx, Doobybrain)
Charles Bronson Death Wish Bodycount (thx, Dave)
Chris Hefner's Talking Picture (The Road to Ruin), removes all words from a 1938 film (thx, Jamie)
Boondock Saints, every "fuck" (thx, Brandon)
Midnight Run, every "fuck" (thx, Lakawak)

TV

Every "What?" from the LOST series
Legend of Zelda TV show, Excuse Me, Princess!
Knight Rider - Turbo Boosts
CSI: Miami, Caruso's One-Liners
The Simpsons, every couch intro
The Sopranos, Every single whacking
Ojamajo Doremi, every transformation
Star Trek: The Next Generation, Last 10 seconds of every episode of season 1
Every Dragonball Z transformation
Mighty Morphin' Power Rangers, every finishing move from Season 1
Deadwood, every curse in Episode 1, 2, and 3 (thx, Brian W)
LOST, Sawyer says "Son of a Bitch" (thx, Jordan)
Rozen Maiden, every "Desu" (527 times! More context, thx Jason)
Buffy the Vampire Slayer, every mention of "Buffy" from Season 1 (Chuck Jones)
Battlestar Galactica, every "frak" from season 1 (thx, Nowak)
Big Brother's Julie Chen, every "but first" (thx, Cardhouse)
House M.D., every "lupus" reference (thx, engtech)
LOST, Sawyer's nicknames in the first three seasons (thx, oscar)
Rachael Ray, "Mmm!"
MTV's Newport Harbor, 82 "like"s in one episode (thx, Jamie)
Red Dwarf, every "smeg" reference in all 52 episodes (thx, arto)
LOST, Desmond saying "Brother" (thx, cypher)
The Wire, Clay Davis' "Sheeeeeit" (thx, dunk3d)
24, Jack Bauer says "damn it" (thx, jonathan)
The Simpsons - Homer's D'ohs, excerpt from an official episode (thx, Scott)
Scrubs - Every Girls Name to J.D. from Dr. Cox (thx, oscar)
Naruto - Every Rasengan from the filler story arcs (thx, Binkley)
The Hills, without the dialogue (thx, Rex)
Bea Arthur says "Whoa!" on the Golden Girls (thx, BWE)
The Office - "That's What She Said" (thx, Jason)
"I'm not here to make friends" from every reality TV show (thx, Rich)

Games

Half-Life series, every G-Man sighting (and part 2)
Every Famicon (NES) Game Title Screen

Miscellaneous Sources

Various films, Wilhelm Screams
Various films, The Slow Clap
Various films, NOOO!
Steve Jobs says "Boom!" in Mac keynotes (thx, Jeff)
Clip from Christian Marclay's "Telephones" from 1995 (thx, progosk)
iPhone "Hello" ad, heavily inspired by "Telephones" (thx, progosk)
Phil Collins' "In the Air Tonight," every "Oh Lord" (thx, oscar)
2008 State of the Union, without any speech

Audio

Only the inhaling from an hour of NPR's All Things Considered (Chuck Jones)
Loveline, every question asked by the hosts (Chuck Jones)
Loveline, every name mentioned in alphabetical order (Chuck Jones)
Loveline, every "Yes" and "No" (Chuck Jones)
Loveline, every number (Chuck Jones)
Loveline, interjections (Chuck Jones)
Loveline, dead air (Chuck Jones)
NWA's Straight Outta Compton, obscenities only (thx, oscar)

Honorable Mention

A commenter points to the work of Chicago artist Chuck Jones, who's created a number of excellent audio and video supercuts he calls Isolation Studies. I've listed them all above.

The "Most Obsessive" award goes to artists Jennifer & Kevin McCoy for their work Every Shot, Every Episode from 2001, a 277 DVD set compiling 10,000 clips from Starsky & Hutch, arranged by categories like "Every Dead Body," "Every Mirror," "Every Gunshot," and "Every Affirmative Response." Other work of theirs includes I Number the Stars, a shot-by-shot index of the first 20 Star Trek episodes in 120 categories, How I Learned, a 10,000 shot inventory of the show Kung Fu in over 100 categories, and Every Anvil, cataloging the violence in 100 Looney Tunes cartoons. Mind-blowing. (Thx, Buzzfeed!)

I've also taken the opportunity to change my URL structure, removing some cruft and giving some additional length to the slugs. All old URLs should redirect, thanks to some mod_rewrite magic and a little PHP.

One change that might affect you is that you'll now be seeing all of my longer articles in the Waxy Links feed, so you might want to unsubscribe from the main feed to avoid getting duplicates. Since I generally only post once a day, and I try to only write things I'd want to link to, this seems like a good alternative to linking to my own posts. If you really don't like this change, please let me know privately and I'll work something out.

What do you think? Nothing's permanent, so I'm all ears.

Update: You're probably seeing some weirdness in the RSS feed. Links appearing in the articles RSS feed, tons of old entries, and links pointing directly to Waxy.org instead of the sites I was linking to. All of these problems are fixed! But feedreaders take time to update, so it'll be resolved as soon as your RSS reader of choice sees the updated feed. Sorry!

In the comments, several people pointed out a noticeable mistake in the video in which the narrator claims Mosaic was developed in 1934. As it turns out, this was fixed in later editions. "I actually came out with a corrected version of that tape," said Ducharme. "In a later version, it was changed to the correct year of 1936. (Kidding, of course, 1993.)"

He also gives some insight into how hard it was to capture video in the early '90s. "We had to rent this gigantic VGA to NTSC converter for about $500 a day to capture those screens," said Ducharme. "It was huge, had to be rolled in and had an operator to work it. Must go now. Am feeling old. Thanks again."

Thanks for the info, Steve! And with that, it's on to Volume 2...

Internet Power Volume 2: Discover the World of Online Education

"Many people believe that the Internet will have the same impact on society as the invention of the printing press did! It will change our world dramatically by making vast amounts of information available to everyone worldwide... if you know how to use it!"

With those breathless words, we start the second volume of Internet Power, the video tutorial series about the Internet from 1995. While the last episode focused on Entertainment, this one teaches you about Education -- museums, libraries, and other research tools.

It's very similar to the first episode with an almost-identical structure, but focusing on a new set of vintage websites. Microsoft's Bret Arsenault appears again, and they focus on Yahoo! again.

Highlights

03:21. Using Yahoo circa 1995 to search for "civil war" sites. The results are in alphabetical order by category name, rather than any attempt at ordering by relevancy.

"We click on the hypertext link, the Civil War Gallery. The URL address for this site is hidden in the link and it automatically takes us to the Civil War Gallery." Updated September 25, 1995!

05:55. "A reminder to you that clicking on links and moving from site to site usually will take a few seconds depending on the speed of your computer's modem. For the purposes of this video, we are moving instantly to each screen with the help of video editing."

06:30. Downloading a 1MB JPG from the Library of Congress and viewing it in ImageView for Windows.

10:15. Listening to a WAV audio greeting from Michael Heyman, the Secretary of the Smithsonian Museum. 40 seconds of filler!

11:35. "This will get you started, but the best thing to do is follow the hypertext links. Explore the Internet and discover your own favorite sites. It's kind of like going to a new city! The streets aren't familiar at first, but after traveling around for a while you'll discover your favorite places in the city that have the activities and interests you're looking for."

12:00. "The Internet has not forgotten about the children of the world." I love this line.

13:00. "This brings us to, of all places, the CIA Website. Don't worry! It's okay that we're here. They keep their top-secret files someplace else."

16:40. "Speaking of science projects, it's pretty difficult going all the way through school without having to do a science project. If this is the case for you, there are ideas on the Internet if you look for them."

20:20. Searching for tuition rates for the University of Washington. In 1994, $969 per quarter for full-time residents, $2,733 for non-residents. (Just for fun, I looked up the current rates. $2,129 for residents, $7,377 for non-residents.)

23:30. Browsing SPRY's Gopher server, explaining how to download JPG files with Gopher.

25:50. "But if you really want to see the power of the Internet for doing research and finding information, just click on the folder 'Libraries of the Internet.' Now hold onto your hats and click the icon that says 'Other Libraries around the US.' Up comes over 100 libraries that you can click on and get even more information of all kinds." He finally concludes, "Never again will you be able to use the excuse of 'Gee, I just couldn't make it to the library last night!'"

27:00. The big ending. "Not bad for 30 minutes, is it? We think you will agree after watching this video that the Internet will change the way we learn forever. Well, we're off to our next website and we hope you enjoy the Internet as much as we do. Remember, in the next century, the person with the most information wins. Good luck on your journey, surf wisely, and have a great time!"

URL Addresses for Websites We Visited

Here's a list of the URLs mentioned in the credits.

Smithsonian, http://www.si.edu
Virtual Science and Math Fair, http://www.educ.wsu.edu/fair_95 (misspelled as www.educ.wsu)
KidsWeb, http://www.npac.syr.edu:80/textbook/kidsweb
Yahoo!, http://www.yahoo.com
Internet College Exchange, http://www.usmall.com/college
University of Washington, http://www.washington.edu
Midlink, http://longword.cs.ucf.edu/~midlink
Web 66, http://web66.coled.umn.edu/schools.html
Welcome to the Planets, http://stardust.jpl.nasa.gov/planets
Library of Congress, http://www.loc.gov (misspelled as www.loc/gov)
Civil War Photo Gallery, http://www.magibox.net/~civilwar/harper.html

Last year, Cal Henderson showed me an internal server running the original GNE code, but it wasn't accessible outside the company intranet. Over the last year, Cal and Myles have ported the old ASP codebase to PHP, and it's now live for anyone to play for the first time.

http://gne.flickr.com/

(You'll need to be signed in to Flickr for the link to work.)

Here's the April Fools-themed message that announced it publicly, a parody of Jerry Yang's internal emails. More than an April 1 prank, I've been told that it'll be around longer than today only but completely unsupported. Hooray!

Update: After much speculation, I'm happy to announce GNE is still alive on April 2. I spent all yesterday playing, got up to Level 7, built a lovely house in Fierov Heights, and had enough making points to build the final item of the game, a Game Neverending. Unfortunately, I was about $8 million short to buy the ingredients. (Stewart, Caterina, Ben, and five other Ludicorp employees must be purchased in the back room of a mash pub for $1M each.)

Everybody pooled their resources to buy the ingredients, and at about 8pm, a Game Neverending was created. We passed it around so everyone could hold it, and then handed it back to its creator so she could win the game. Screenshots here.

Update: GOD announced it's shutting down in an hour (about 11am PST). As yeoz said, "GNE is a shared temporary hallucination."

Aaand, it's gone. I managed to send it off by winning the game in the last four minutes. I captured video of building the GNE and using it to win the game. Striatic also captured the last few minutes of the game.

Thanks to Martin Brewer, here's the first episode of The Net, a documentary series that ran for four seasons from 1994 to 1998. Despite the name, this first episode has very little to do with the Internet. Instead, it's an almost perfect video equivalent of the early Wired Magazine, covering a mish-mash of digital culture from video games to virtual reality.

This episode has five segments.

"I enjoyed the Internet Power VHS tape and dug up an old VHS tape from my old school district. It's a 20-minute video from June 1995 that discusses the district's technology plan with lots of funny and archaic technology and it's an interesting look at a school district that was on the cutting edge back in the mid nineties."

Josh Lake's awesome homepage. Dig that big blue throbber on Netscape 1.0.

A breathless 3rd grader checks her email before learning about "Netscaping and writing our own homepages."

Searching Webcrawler in Netscape 2.0.

The Clinton-era Whitehouse homepage in Netscape 1.0.

The sexy Netscape homepage, with interlaced GIF banner.

Telnet in Windows 3.1. The only PC in this video.

A pile of US Robotics modems jammed into holes in a cardboard box for dial-in network access.

Mildly-creepy student profiling application.

IP address as official URL. Charming!

This is nothing new. It's as old as communication itself. I'm sure that the moment man discovered fire, there was some guy nearby saying, "Too smoky. Can burn you. Lame."

In the modern age, we've found a much more efficient way to express disdain, distilled into only four letters: FAIL. This usage as a standalone interjection has been around for years, since at least 2003, but its recent explosion in popularity comes from 4chan and the Lolcats memes. Dedicated blogs like FAIL Blog, Shipment of FAIL and Fail Dogs further spread the meme.

On Twitter, the conservation of space combined with a meme-savvy audience creates a perfect storm for spreading FAIL. With only 140 characters, it's not surprising that people have taken to using this often as a shorthand for longer criticism.

Here's a recent example from Chris Messina (who hopefully won't mind me picking on him):

factoryjoe: @skitch Nice Twitter + Email integration, but where's the OAuth?? FAIL!

@skitch Nice Twitter + Email integration! I'd love OAuth support, too.

I know many people who make stuff for the web, all of them very passionate about what they do. And every time I see a "FAIL" assigned to their work, it makes me sad. Yes, I know you're trying to be funny. But I'm starting to see a trend away from the funny, and towards the angry, bitchy, or mean. So please, mind yer words.</missmanners>

24 Hours of FAIL on Twitter

The following is a small sampling of tweets mentioning "fail," pulled from this Tweetscan search. Among the failures in the last day or so: Twitter, Facebook, Skype, Gmail, and Scrubs.

petroldarling: Oh my god. Metrotransit's website is made of fail. In reality, the 84 stopped running an HOUR AGO. Now I am stuck in Midway.

nikete: facebook lacks a way to search the messages in your inbox. FAIL

jremsikjr: hulu.com FAIL! They cut out of full screen video to take me to the sponsors website at a commercial break :(

DjDATZ: skype = fail.

madpilot: Paypal development sandbox allows you to send payments to accounts that don't exist. FAIL

93octane: top chef dumbass can't follow directions. FAIL

rv510: San Francisco protest -----> FAIL

boyafraid: Twitter is currently looking broken. Word wrap/line breaking has experienced epic FAIL.

CocoaSamurai: I can't rent "I am Legend"? iTMS FAIL

AndrewTerry: YouTube on iPod Touch; wotta lotta fail....

jkestr: you would think a movie called blackjack would come out on the 21st rather then the 28th. Marketing dept: fail.

nrturner: Safari 3.1 is *still* using the blue 'RSS' icon that looks like 'ass' in the address bar. Fail!

montythestrange: Google Mail spam filter in EPIC FAIL mode again.

px: BofA is really good at sales I suppose. But when it comes to training their employees in regards to the issues I am facing they FAIL.

rob_ballou: not allowing symbols in passwords = FAIL

sambrown: Billings only uses my System Preferences currency settings? I can't change it per project? What a waste of time that was. *sigh* Major Fail.

aeoth: Oh I'm loving VicLink today. I want croydon -> mt waverley, it gives me Scorsby -> mt w. NOT EVEN CLOSE. EPIC FAIL

bobthecow: kronos webapp standards compliance FAIL.

tdcool: UK broadband = fail

ferhr: Used a 15 year old /usr/share/X11 over a 2007 one. Total FAIL. Gnome/gtk is really a fragile piece of software.

Pistachio: Oh FAIL. Quickbooks online does not run on a mac. MUAH, Quicken. I love you too.

ourfounder: Valve software requires you to update your warez very very slowly before you delete them. "Fail!"

dosminos: Friday Night Lights pilot - win, Scrubs pilot - fail. Supernatural and One Tree Hill pilots - maybe.

mjjames: Visual studio doesnt use jsdoc it uses its xml way. Fail

stevefleischer: very hazy and smoggy in HK today. Air has an orangy tinge to it. Mainland fatctories EPIC FAIL.

muffinresearch: No seats what a pile of FAIL

ndw: The Scala beginner's guide is a PDF? FAIL

knufflebunneh: I have a prediction for 2008: you fail.

On March 7, YouTube administrators removed it from its #1 spot on the rankings while they investigated it. Apparently, no foul play was detected and it was reinstated. Stephen Hutcheon from the Sydney Morning Herald has more on the story, including a screenshot from the leaderboard on the day it was removed.

It's hard to get a sense of the scale, which roused suspicions in the first place. To put it in perspective, in the seven days from March 7-13, the CSS video gained 17 million new views. That's more views than this week's top 20 videos received, combined.

In one week, the CSS video got nearly as many views as the insanely huge Crank That (Souljah Boy) received in 7 months. It was six times as popular as Mariah Carey's new video, in half the time. More popular in a week than the all-time views for Amy Winehouse's "Rehab," Tay Zonday's "Chocolate Rain" or Chris Crocker's "Leave Britney Alone."

Assuming YouTube's numbers are accurate, what was the mystery source of traffic? Now that the video is gone, I don't think we'll ever know. There have been a number of theories, but none of them really pan out.

• Popular search terms like "hot sex" and "obama." Unlikely, since the video never ranked well with those queries. Searching for "sex" or "hot sex" didn't return the video anywhere in the top 100 results.
• Social network embeds. It's still possible that there's a single source of traffic from an embedded video on an extraordinarily popular website on autoplay. If so, it's managed to evade YouTube's referral tracking, while still getting counted in views.
• Leaderboard traffic. Once in the top 10, could traffic have snowballed from people clicking from the all-time most viewed page? No, since the video gained an additional 25 million views in the week it was removed from the leaderboard. Also, other videos in the top 5 only saw a small fraction of the growth.
• Chinese users. Someone noted that Chinese users watch YouTube, but won't (or can't) sign in to rate/review/comment. Could they be coming from China?
• Buzz from the iPod Touch ad. That might make sense in the days following the original commercial's release last October, but the video's growth was highest in the last two months.

Rajeev Kadam from Divinity Metrics, a company that provides video metrics for media companies, got in touch with me and provided these historical stats for the CSS video for the last five weeks. Here's a chart of that data, or you can see the spreadsheet.

Philip Rogosky asked Clarus Bartel why he removed the video. Clarus reminded Philip that he'd contemplated deleting it before, but his friends advised him to wait to see if it would reappear on the leaderboard, clearing his reputation. At that point, he decided to delete it only because of the critical comments he was receiving on his other videos.

Asked how he felt when he pressed "delete," Bartel responded, "Sad but relieved! If only I'd earned a buck or two or a job offer, I'd feel different today."

I spent most of the day yesterday working on a workflow to digitize VHS tapes, settling on VCR to MiniDV camera my Macbook Pro with Firewire. These tapes are pretty worn, so the quality's not great, but that almost adds to their charm.

Here's the result: the first volume of a two-tape collection called "Internet Power!" from 1995. I've included some select quotes and screenshots below.

Internet Power - Discover the World of Online Entertainment (00:36)

"The explosive growth in the number of people who have discovered the power of the Internet for learning, marketing and just plain having fun has been incredible. The Internet is changing the way we learn, work, and play forever. Today, some 35 to 40 million people from around the world are linked together through the Internet, the world's largest computer network. Students of all ages are discovering the online power of the Internet as the ultimate tool for learning. Whether you're in grade school or college or beyond, or you just want to be entertained and have a good time, the Internet has something for everyone."

I love the Windows 3.1 references, and that they used 8-Ball Pool for Windows to demonstrate the power of the Internet.

"But before we go too far, let's take a moment and have a look at just what the Internet is and what it takes to start surfing through Cyberspace. You may already be a net surfer and you may want to skip this section, but if you're just starting out, we suggest you spend a few minutes getting familiar with some of the most common Internet terms."

Dig that mid-1990s design aesthetic. Grey background, huge 3D rendered header graphic, Times New Roman italic, centered text... It's 1995, all right.

"You'll need a device to access the online world. That device is a Computer, with at least 386 power and 8 megabytes of RAM and has a modem installed that has 14.4 or greater speed or 'baud rate.' And of course, access to a phone line. If you have a slower modem, you will not be able to enjoy the growing multimedia aspects of the Internet, such as graphics, sound, and video."

"You will also need a connection to the Internet that connects your computer to the millions of other computers that make up this Superhighway of Information."

A number of vintage ISPs and screenshots are included, followed by an interview with a Microsoft tech named Bret Arsenault. Bret's the only person interviewed in the video, as the resident expert.

"Any of the online services, such as America Online, will provide you with a connection to the Internet, along with a navigation tool called a Browser which enables you to move from location to location anywhere in the world."

The browser pictured is AIR Mosaic, provided with Spry's Internet in a Box.

"Parents concerned about unwanted content may want to sign up with a major online service where you can be assured that their own content is filtered, and then have your child advise you when they're going directly onto the World Wide Web and provide parental supervision as required. There are software packages in development that will assist parents in locking out unwanted Internet content in the future."

"The Internet has been around since the 1960s, but it was the development of the Mosaic browser in 1933 at the University of Illinois that made it possible to simply point and click your way to information that not only contained text, but also graphics. Now the average person can enjoy the full potential of the Internet, and especially, the fastest-growing part of the Internet called the World Wide Web."

Yes, he said 1933. Apparently, the launch of Mosaic ushered in the Great Depression. Some nice shots of the original Smithsonian site, and a basic explanation of the Web by Arsenault and the narrator. How did you describe the Web in 1995?

"A Web site is like a book that is divided into chapters. By clicking on the hypertext links, you choose which pages you want to view in the book. A Home Page is like the first page of the book, with a Table of Contents and general introduction into what is contained in the site."

Next comes a brief introduction to domain names, FTP, Usenet, Gopher, and email, before launching into the next section: Search Engines.

"When it comes to fun and entertainment, the power of the Internet is unlimited!"

Search Engines (08:04)

"To get started, we have to sift through the vast amounts of information on the Internet and find what we need. The best way to do this is by using one of the many Search Engines available. These sites gather the information that is out there and categorize it so we can narrow our search. One popular site to do this is called Yahoo!"

The list of search engines on the slide is a great flashback. "Web Crawler, Lycos, Einet, WWW Worm, Yahoo, Info Seek, Savvy Search... and More"

"Normally, these sites would take a few seconds to load to your computer, but in the interest of time, we're cutting to them through editing for the purposes of this video."

Later, they cover a long-lost site called "The Weatherman," where you email your trip profile and a nice guy named George Gatto emails you a weather forecast by hand. I can't imagine that'd scale very well.

Gopher (12:04)

"Gophers can be a one-stop source for finding information on the Internet. This particular site has many categories to choose from. Let's keep our same subject, weather, to see how this differs from our Yahoo! search."

Shopping (13:20)

"The Internet has thousands of sites for shopping and many of them are grouped together in large Internet Malls... Let's try a different search engine this time. We'll use another popular one called Webcrawler."

"Let's choose one... The Mega Internet Shopping List sounds promising!"

I could go on all night. Later, they cover Online Games (16:36) and Online Entertainment (20:42), but the Online Magazines section (25:35) is my favorite, with screengrabs of Hotwired, Nintendo Power, and the craziest sitemap ever from a very early Time.com.

"You've got a lot of exploring to do, so surf wisely and have a great time!"

URL Addresses for Websites We Visited (27:35)

The Smithsonian, http://www.si.edu/
The Discovery Channel Online, http://www.discovery.com
The Weatherman, http://pixi.com/~gattoga/index.html
The Rock & Roll Hall of Fame Online, http://rockhall.com
Hollywood Online, http://www.hollywood.com
America Online, http://www.aol.com
Yahoo!, http://www.yahoo.com
The Internet Mall, http://www.mecklerweb.com:80/imall
The Toystore, http://www.toystore.com
Nintendo of America Online, http://www.nintendo.com
Happy Puppy Game Site, http://www.happypuppy.com
3D Riddler, http://cvs.anu.edu.au/andy/rid/riddle.html
CBS, http://www.cbs.com
NBC, http://www.nbc.com
PBS, http://www.pbs.com
ESPN, http://www.espnet.sportszone.com
Hotwired, http://www.hotwired.com
Time, http://www.timeinc.com
Price Costco Online, http://www.pricecostco.com

Credits (28:15)

Where are they now? Paul Barnett was Internet Power's executive producer and it was produced, directed, and edited by Steve Ducharme -- they later co-founded another company, the Internet broadcaster iShow. Bret Arsenault, originally an "Architectural Engineer, Internet Technology," is now Microsoft's Chief Security Advisor. (Here's a recent webcast featuring Bret.)

Fun with VHS

Now that I've nailed the workflow, I'm going to be digitizing more of my collection. If you have any other classic Internet goodness locked up on VHS, get in touch. I'll happily put it online for you.

Once I can get a copy of the audio from the talk, I'll upload a screencast of the entire session with the original slides. Until then, here are the descriptions of each pitch.

Jeffery Bennett, Image Search for the Blind

Image search is fundamentally broken, only allowing sighted people to use it for entertainment and research. But what about those who can't see? Jeffery shows how harnessing the collective vision of users can describe and annotate images for use by the blind.

Michael Buffington, Pressca.st

Bloggers have been used as a powerful promotional tool, but finding bloggers willing to sell themselves out for cash takes too long! Michael demonstrates a better way that combines the worst of Amazon's Mechanical Turk and PayPerPost. Upload your press release, deposit funds with Paypal, and Turkers around the globe will instantly blog about your crappy product for pennies on the dollar. Evil!

Ben Brown & Katie Spence, Happy Net Box

Facebook broke new ground in allowing developers to create applications for their website, and the OpenSocial effort took it to the next level by allowing anyone to embed applications anywhere. Ben & Katie propose a groundbreaking new open platform: allowing developers to embed the entire Internet in your webpage with a single line of code. Don't settle for a single application -- embed the whole damn thing.

David Friedman, PeopleIPO

Take yourself public with an Individual Public Offering through PeopleIPO, allowing anyone to buy or sell shares in you! Watch as your personal life events affect your stock price, but be careful not to sell a majority stake in yourself -- or you might become a slave to your shareholders.

Lia Bulaong, Sickr

The social network for contagious diseases, where online communities go viral. See who's spread chlamydia, clap, or the common cold to their social network using a convenient Facebook badge, or just try to get to the top of the leaderboard with poor hygiene and/or risky sex. Fun for the whole family!

Merlin Mann, FlockdUp

FlockdUp.com is a best-of-breed hosted solution for networking Thought Leaders. Our Enterprise-class suite of tools empowers Topic Experts, Blog Consultants, Marketing Minds, and Social Mediapreneurs to tag, profile, remix, mash-up, *and* monetize every person that they know (or claim to know -- we're not here to judge). We understand that your career is hard to explain, and most people wouldn't understand it anyway. That's why FlockdUp does the heavy lifting with robust, integrated applications for connecting you directly to the thousands of enterprising mavericks whose email addresses you've collected. That's right: Leading with Thoughts(tm). Sign-up today for very limited, private pre-Alpha at FlockdUp.com.

Lane Becker, MMOmmerce

The next generation of shopping, from the comfort of your very own fully immersive fantasy universe. Think Kozmo meets World of Warcraft: from clicks and mortar to clicks and Mordor, rampant consumerism becomes rampaging consumerism. All without leaving your desk!

The winner, as decided by guest VC/judge David Hornik, was Merlin Mann's FlockdUp, followed closely by Jeffery Bennett's Image Search for the Blind. Here's a video of Merlin's talk, courtesy of Roo Reynolds. Thank you so much to all the presenters and everybody who attended.

April 15: Jeffery Bennett's footage from the audience is now available on Vimeo. I'm waiting for the official podcast audio from SXSW, and I'll edit together a presentation with the original slides.

I sent him a message through his Flickr account, but he responded that he didn't speak English, so I asked Philip Rogosky to do the honors. Here's the first published interview with Clarus Bartel about his #1 video.

Translated from Italian

It all started with the Qoob music channel's video contest. I didn't participate in the contest, I just downloaded the footage in order to edit it and I added a different track. I cut out some scenes where they were singing, added some effects to the background, and then I uploaded it to YouTube.

Never would I have imagined that such an ugly video, made on a whim, would make it to the top of the charts. Believe me, even taking the iPod commercial effect into account, nothing can explain the absurd number of views. I get constant messages accusing me of being a hacker, when i barely know how to turn a computer on and off. Some people call me a genius, because I beat the system. Everyone is free to imagine me as they choose, however they prefer. Like the kid from Rome who keeps writing me because he's convinced it's all some kind of conspiracy!

The discrepancy between the number of comments and the views has to do with the fact that I'm deleting hundreds of insults I receive every day. But for the rest of this absurd occurrence, I have no explanation. I have as much of a clue as you do!

Tutto nasce da un "Video Contest" del canale musicale QOOB Io no ho partecipato al concorso, ho solo scaricato le sequenze per il montaggio inserendo un'altra canzone. Ho fatto dei tagli eliminando le scene in cui cantavano, poi ho aggiunto qualche effetto per lo sfondo e di seguito ho inserito il video su youtube. Mai mi sarei aspettato che un video così orribile e creato in un momento di svago, arrivasse al numero uno della classifica.
Credimi, anche se fosse stato aiutato dalla pubblicità dell'Ipod, questo non spiega il suo impressionante numero di visualizzazioni. Mi arrivano continuamente messaggi di accuse perchè vengo scambiato per un Hacker, io che a malapena so accendere e spegnere il Computer. Alcuni pensano che io sia un genio che ha fregato il sistema. Ognuno mi vede è mi immagina come vuole, a suo piacimente, come quel ragazzo di Roma che mi scrive continuamente e che crede in una cospirazione!
La discrepanza del numero dei commenti e il numero di visualizzazioni e dovuto al fatto che ogni giorno devo cancellare un centinaio di insulti indirizzati a me.

Il resto di questa assurda vicenda non so spiegarla.
Ne so quanto te!

Strangeness

He definitely seems sincere. Though I still don't believe that the video's been viewed 4.2 million times in the last 24 hours, I doubt that he had anything to do with it. (This Google cache from 1am yesterday showed 84,883,762 views. At the time I published my post early this morning, it was at 89,174,590.) That growth seems extremely unlikely for a video that's been around for 11 months, but who knows? It's always possible that 65% of Brazil's broadband users viewed it yesterday, but I doubt it.

Also, I noticed Clarus disabled ratings on the video this morning. This makes it difficult to discover how many ratings he's received, which I can't help but wonder about. I can understand why someone would turn off comments (moderating them can be a nightmare), but why turn off ratings? I can only think of two reasons why someone would turn off ratings: they're unhappy with the ratings they're receiving, or they don't want the rating counts tracked.

Update: In a followup email, Clarus confirms that he disabled ratings by mistake, and he'll turn them back on once YouTube ends their maintenance period tonight. Here's the second part of the interview, translated into English:

What do you do for a living? Some of your photos are very good.

Thanks so much for your appreciation of my photos! I make my livelihood working in a factory. In my free time I listen to music, watch movies, and I take photos. For fun, I recut films and music videos, re-editing my versions.

You've been adding and removing references to Barack Obama in the CSS video title and description. Why?

I took advantage of the video's visibility and added in "Vote Obama" because, even though I'm Italian, I'm following the American primaries closely and I hope to see an African-American in the White House.

I deleted the phrase because the primary voting is suspended for the moment. If, when another vote comes up, the video is still there at its rank, I'll continue my support for Obama, adding the phrase back in if necessary.

When did you decide to turn off ratings?

I read the article on Waxy.org. I see there are still (legitimate) doubts about me. I disabled ratings by mistake, and only noticed late because for a while there YouTube was doing maintenance.

It bothers me to see that in this article, I'm passed off as a hacker.

Before disabling comments there had been 486 of them in 5 or 6 hours, almost all of them with the usual accusations of hacking, and some with variations such as black bastard, gay bastard, Brasilian bastard, and similar crap.

I started to seriously consider deleting this goddamned video, when finally this article came to my rescue, calming me down some (unless my crappy translation is fooling me).

In early 2007, a popular Italian music community called Qoob.tv announced a contest for the Brazilian band CSS, in which fans could remix green-screen footage created by the band to create their own video for their song "Alcohol." Instead, an Italian music blogger and photographer named Clarus Bartel remixed the "Alcohol" footage for a different song, Music Is My Hot Hot Sex, the song made famous by the iPod Touch ad. Update: See our interview with the video's creator.

Since he uploaded the video to YouTube, it's accumulated a staggering 89 million views, at an average 265,500 views per day. (Though, as you'll see below, most of those viewers were in the last two months.) Not only would this make his video the most-viewed of all time, defeating runner-up The Evolution of Dance by over 12 million views, but it's also added more views-per-day than any video but Britney's latest single.

The commenters on the CSS video are baffled, many of them accusing foul play. I decided to look into it, to see if there was a method to determine if the number of views were somehow false.

One method of detecting suspicious view counts on YouTube would be to compare the ratio of social activity to the view count. If the number of ratings, comments, and favorites are much lower than other videos with similar views, then it's possible that the numbers have been artificially inflated.

Using the YouTube API, I retrieved statistics for the top 500 videos. I chose to compare the number of ratings, because comments can be turned off or removed by video owners and the number of favorites was unavailable in the API. The spreadsheet is below.

When it comes to geek conferences, I'm not a huge fan of panels and I have a very short attention span. So I proposed something unorthodox, and the voters apparently liked it. (With ten people speaking, I'm pretty sure this is the largest SXSW session ever.)

The speakers are some of the most interesting and/or talented people I know: Lane Becker, Jeffery Bennett, Ben Brown, Katie Spence, Michael Buffington, Lia Bulaong, David Friedman, and Merlin Mann. I'll be playing ringmaster and badass MC, accompanied by August Capital's David Hornik as honorary judge.

Did I mention it's not a panel?

As for the rest of SXSW, my picks for daytime programming at the Interactive/Film conference are on Sched.org, and you'll find many more unofficial parties and gatherings on Upcoming (mine here). Naturally, you can stalk me on Twitter. If you see me, say hi. Don't be shy, life's too short.

I'll see you in Austin.

These are the unreleased demos from Joni Mitchell's The Hissing of Summer Lawns, one of my favorite albums ever. Unlike the lush arrangements found on the album, these early versions are stripped down to only piano, and acoustic guitar. It's like Hissing of Summer Lawns in the style of Blue or For the Roses. At the time of its 1975 release, The Hissing of Summer Lawns was panned by critics unhappy with her shift towards jazz/folk/rock fusion. I doubt they would've complained if these demos were the final cuts.

The Seeding of Summer Lawns

As I mentioned, I found these on Big O Zine. That site is an odd cookie, the web presence of a long-running music magazine in Singapore with no less than four active domain names that redirect to each other in strange ways. The navigation is obscure and each page on the massive site is created manually in Dreamweaver, so it feels like a throwback to online zines from the mid-1990s. There's no homepage for the ROIO of the Week, so your best bet is finding the most recent ROIO of the Week on the homepage and skimming the hand-edited list of archives from there.

But man, what a resource. Not confining themselves to just live bootlegs, Big O posts demos, alternate studio sessions, and other extreme rarities from classic and current artists. (For example, Steely Dan's Royal Scam Outtakes, Emmylou Harris' Wrecking Ball outtakes, Barry Gibb's unreleased 1970 album, Jeff Buckley's Grace outtakes, and Janis Joplin's 1964 audition tapes.) But you need to be quick: they're usually removed within a week or two. The Joni bootleg was removed from their site, but this is so great, I'm giving it a permanent home so it can be heard by a wider audience.

This morning, at around 2am, I received an anonymous comment on that entry from someone who survived. It's a haunting glimpse into the experience of cheating death.

From: vancouverite

When it's not your day to die, it's just not your day to die.

I was there that day. Right there. My son was less than a year old at the time and it was a rarity that he and his father stayed home that day, they'd normally be rushing me along impatiently.

So I was dawdling, perusing the lovely organic greens and the beautiful melons, working my way up one side of the street stalls and back down the other.

I am only alive because at that moment, I was looking at Meyer lemons instead of arugula.

It started with a loud, continuous screeching/scraping noise, and then loud boombangs (the screeching turned out to be the upright poles of the display tents and the tables being dragged across the road surface, the bangs being those structures falling).

A young couple standing next to me at the lemons stand joined me in glancing up the street towards the growing cacophony that was heading our way. He gently moved in front of her, shielding her with his body instinctively as the disaster careened mere inches from us. We were so close I'm sure I could have touched the vehicle if I reached my arm out.

My first and only thought was to get home to my child as fast as I possibly could, everything else was suspended in time. I realized I had never let go of my 4 bags of produce. I looked down and saw red smeared on my legs. It seemed to be a combination of strawberries, raspberries, tomato and perhaps blood.

One minute I remember feeling jealous of a pretty slim girl with Manolo mules on talking on her cell phone. I can clearly remember seeing one of those perfect shoes lying sideways in the middle of the road with no idea where its wearer was who was right in front of me just a moment ago.

I remember the middle-aged black woman, separated from her teen daughter, distraught and focussed simultaneously as only a mother can be. I'll never forget the raw sound of relief she uttered as she found and embraced her daughter a few moments later.

Worst of all, I remember being so close to him in his car, I could see the bodies, one under, one on the hood, and the utter chaos moving along in slow motion. The image of his face with his glasses askew will haunt me for the rest of my life. I could have sworn he looked right at me, he wasn't even looking forward through the smashed windshield.

I remember the man running after the car crying and yelling "he just killed my wife".

Just today, the accident invaded my life again. As I drove back to my downtown office this afternoon, the pedestrian traffic was quite heavy, and I thought to myself, as I have now and again since that day, "I know exactly what it would look and sound and be like if someone were to just plow through these people".

I think about everyone that was there that day and have often wished for just one chance to get together to share our compartmentalized grief, to tell our stories, and to comfort one another in a way noone else can.

I got a new computer...an IBM 386. It's a beauty of a computer, but I sunk all of my money into it and my parents still had to help pay it off... It has an 80 meg Hard Drive, a Super VGA card (not a monitor though, still stuck with VGA...), a brand new keyboard and mouse, 4 megs expanded memory, a High Density 3.5" and 5 1/4" drive. Cost about $800 but it was worth it. I consider it an investment for college. I plan to major in Computer Science in college with maybe a Psychology minor.

Have you ever heard of Virtual Reality? Of course you have... If by some odd chance you haven't, take a look into it. I'm telling you, it WILL be bigger than TV. I hope to get into it as soon as I can. Come to think of it, you should too.

Among those parodied: Furries, Google, script kiddies, Boing Boing, Apple Computer, ricers, 4chan, Ron Paul, gamers, Bill O'Reilly, Tubgirl, otaku, and the Church of Scientology. Also, it's almost certainly the only game to include a text-adventure minigame based on R. Kelly's "Trapped in the Closet." This game isn't for everyone.

Before reading any further, I'd highly recommend trying the first two or three levels. Warning: If you're easily offended, this game is not for you. And don't worry about getting stuck with the Jimmy character during the tutorial; you get to choose a username, avatar, and class when you hit level 2.

I'm pretty sure this is the only published photo of their final score, a 5-star performance: